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Kathi Zysk

The Organist

The Organist's Ministerial Function

The role of the organist is double. One role is to accompany the singing of the congregation; the other role is to play as a soloist.

Accompaniment to the singing of the Congregation

The organist's function as accompanist to the singing of the congregation is the prime importance. A good instrument, under the fingers of a master, can unify the singing of the community and often save it from mediocrity. In the majority of case, it is the organ which, in fact, conducts the singing of the assembly.

Let us point out the superior technicality required for this function. A good accompanist knows how to transpose at sight the music for the congregation and to adapt to all the needs of the moment. Normally, several years of experience are required to master this art.

It often becomes the task of the organist to unify songs which, without his or her help, would not blend musically. For example, if the holy, holy, the Memorial Acclamation, and the Great Amen are place in the same keys, or at least in the keys as closely related as possible, the organist will have rendered a great service to the Eucharist Prayer; he or she will have given it the chance to be perceived by the congregation as a unique prayer which extends from the Preface to the Our Father.

Playing As Soloist

The organist intervenes as soloist for two purposes: "to encircle" a song and "to encircle" the celebration.

To Encircle a song is to announce it with a prelude, to prolong it with a postlude The incomparable model of the art is Johann Sebastian Bach in the Orgelbuchlein.

To all my organist colleagues who proudly serve the Christian community, I would like to make the following suggestions: all though the liturgical year, we sing songs which reappear a certain number of times. Why could not each of us sit down at our desks to compose five or ten measures of beautiful, musical workmanship which would form a pretty prelude or postlude? A great opportunity to be creative and embellish the liturgy is offered to each of us. Let us keep in our hearts a certain creative joy! This work will enrich our community infinitely more than that which we sometimes call or "improvisations" at the organ, and which sometimes risk being only babbling on the keyboard.

To encircle the celebration, let us not be sparing of our playing. At the beginning of each celebration, let us welcome the community as we welcome someone whom we love. And if the piece that we have prepared last five or ten minutes, let us start it five or ten minutes before the entrance of the celebrant. Let us know equally how to prolong the playing of the organ at the end of the celebration, prolonging it as if we were accompanying a friend whom we leave reluctantly.

Importance and Dignity of the Organist

We should be careful not to overstate the importance of the organ and the organist. A liturgy can take place perfectly without any organ playing. This was the case for the first fourteen centuries in the West. It is still the case in oriental liturgies. But if a community has a good instrument and a good organist, it must consider that as a favor from the Lord. In the musical realm, the organ is one of the most effective instruments for promoting the beauty of music.

The Instruction on Sacred Music and the Sacred Liturgy gives organists this magnificent testimony:

 

When they are at their keyboard, during the ceremonies, they must be conscious of the active part that they play for the glory of God and the edification of the faithful.

Other Instruments

What we are saying about the organ deserves to be said of all other instruments. In principle, a drum is as "pious" as an organ, a guitar as much as a trumpet. There is no instruments which is more or less religious that another instrument. The liturgy does not choose its instruments any more than it chooses its music or the language for the celebrations; the liturgy receives them from the people that it calls together. Vatican II remembered in this respect the prodigious freedom of the Christian:

 

. . . the Church, sent to all peoples of every time and place, is not bound exclusively and indissolubly to any race or nation, nor to any particular way of life or any customary pattern of living, ancient or recent.

In rediscovering the intoxicating flavor of Christian liberty, the instruments also must rediscover the joy of true service. For a greater freedom is always a road toward a greater duty: the one of better serving Christ Jesus by better serving the community.